Public Domain. I transposed it into C, because it's hard for me to play in G. I got tendinitis in my left hand from playing with a bent wrist. That's why your guitar teacher won't let you look at your guitar while playing-- it makes you bend your wrist, and causes tendinitis, down the road. Now, my ring finger tends to lock when I play too many G chords. So I use a lot of barred Gs, which don't make my finger lock up. My cross to bear. But this song is about the real cross, borne by the Savior.
I've written it three ways, which can be used as separate versions, or combined as verses. The first, mostly chords, sounds good on a flat-top guitar, played with a pick, or on a classical guitar, strummed with the thumb. The second one cannot be played with a pick, but sounds really "classical" when pinched, especially if you use the fingernails or finger picks. Play it near the bridge for an even more brilliant sound.
The third verse includes lots of "extra" notes to emphasize the 8/8 tempo. I like playing in 8/8, as all the notes are the same length. The "extra" notes are mostly drones in the bass. You can leave out any of them you like, but remember to lengthen the other notes, or the tempo will suffer.
If all you want is the melody, play the 3rd version, except:
1. Leave out all the notes on the 4th, 5th and 6th strings (the drones)
2. Play only the 1st and 7th notes in the 5th measure (GIII)
3. In the next-to-last measure, play only the 1st, 3rd, 5th, and 7th notes
4. In the final measure, play only the 1st note.
This is actually a pretty easy hymn to play. If the CIII chord gives you trouble, you can substitute a regular C chord, but it'll make the transition to the next chord harder-- that's why I used the barre chord.
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