Public domain. This is a beautiful piece for classical guitar, but you don't have to be a classical guitarist to play it. There are a few advanced techniques, such as ligados (hammer-ons, pull-offs,), slides, and multiple ligados. When playing one of these double or triple ligados, you may have to hammer the last hammer-on very hard to make it sound as loud as the first one.
This piece does contain one relatively hard barre chord: Fv. It's a normal C chord, barred at the fifth fret. You'll need to practice it a bit if you're not used to playing this chord, as it uses all the fingers of the left hand, and stretches your hand, to boot. A good loosening-up exercise is to press all four fingers of the right hand between each pair of left-hand fingers, to stretch them. Hold the exercise just short of the point of pain, then go to the next pair of fingers.
There are a couple of other, easy chords you may not be familiar with. CIII / G is a normal C III chord. Read the name as, "C, with a G bass." Play it by barring an A chord in the third space, but fret the bass string in the third space and let it sound. G7add5, is really just a normal G7, with the fifth note of the scale (D) added on the second string, third fret, using the little finger. You should find it rather easy to do.
I included the grace notes shown in light face type, because they are in the hymnal, but I don't think they add much to the song, and they make it significantly harder to play. I don't play them when performing, and I have deliberately chosen chord inversions that are easiest to play without the grace notes. Consider them optional.
That's a lot of notations for a song that's really not that hard to play. Enjoy!
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