Well, I figured if I didn't get it posted soon, I'd have to save it for next Christmas. It may contain errors or need tweaking a bit; I didn't play through it as many times as usual, and I sometimes get errors anyway, so, if something looks wrong, it probably is. Let me know in a comment, or, if you're a follower, click my thumbnail photo and email me.
This is a gorgeous song, and not especially hard to play, if you can play barre chords. If you can't, don't despair: there are substitutes, and even an entire alternate last line, on the third page.
The first verse is mostly chords and melody notes. The original is written in 4/4 time, which, as usual, I've recast as 8/8 to make it easier to see the rhythm. Remember, the "100" shown as a metronome setting is for EIGHTH NOTES. If you try to play it as 100 quarter notes per minute, you'll sound way too fast.
Play the slide in the second measure with the little finger of the left hand (right hand for you southpaws). This will set you up perfectly for the barre chord that starts the third measure. CaddG is just a C chord, with the pinkie in the third fret to add the G note. No sweat.
Beginning with the 5th line, you will encounter arpeggios, grace notes, and other "extra" notes. If you don't like them, just repeat the first four lines. It's a guitar solo-- no one will know. If you're doing that, you can leave out all those "extra" notes.
I recommend you leave in all the "extra" notes called out in the tab, for a more Baroque sound. If it ain't Baroque, don't fix it! --motto of the Eighteenth Century Cooking Club, which I just made up. Seriously, the first four lines are better for accompanying singers, while the last four are better as an instrumental solo.
Next Christmas, I'll try to get my Christmas carols done by Thanksgiving, so you have time to learn them.
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